Despite the digital transformation, business cards remain an indispensable marketing tool. Business cards are the first thing you hand someone you meet to do business. They do more than convey your business information and contact details; business cards also represent your company's brand.
No matter how intelligible a person you are or how good your company is, a business card on flimsy paper can be off-putting to a potential client or partner. Thus, a good design for business cards is necessary. Consider the color, type of material, design, logo placement, size of fonts, and embellishments when you design your business card.
To help you get started with choosing the right design for your business, here are some of the latest business card design trends you need to know about:
CLASSIC DESIGN. Keeping your design simple and elegant with a classic design is a go-to choice and a personal favorite for most businesspeople. From a designer's perspective, less is more in business cards; they should tell your name, what business you do, and how to contact you. Let people visit your website and social media pages to learn more instead of telling your whole life story on your business card.
WRAP-AROUND. Wrap-around business cards have designs starting at the front and continuing to the back or underneath the card. So when you put two business cards together, you'll see a continuation. It's intriguing, and it gives the user an excuse to give out two business cards, which is always good because they can share your other card with another person who may also require your services.
BRIGHT GRADIENTS. This older design element from the 70s and 80s is making a comeback. Cards with these gradient designs have a retro feel, and many businesspeople have preferred this design trend.
DIE-CUT CARDS. Another favorite among creative and marketing-driven professionals, primarily because it is a surefire way to stand out, is die-cut business cards. A die-cut card always stands out because they are different, making them perfect for marketing. The die-cut design works best for businesses with a simple logo they can cut out, usually in the middle of the card. Others prefer to die-cut their cards and turn them into a unique shape to differentiate them from the usual rectangular ones. Die-cut cards are relatively costlier, but they are perfect for ensuring your recipients will remember you, especially during networking events when people possibly receive tons of cards from different people.
PAINTED EDGES. Another style that is coming out a lot is business cards with painted edges. People often match the colors of their logos to the painted edges of the card to add extra appeal and make the card stand out when placed on a stack.
SOFT TOUCH LAMINATION. Soft touch lamination is a personal favorite among business card embellishments because of the way it upgrades the touch, feel, and weight of the card. Soft touch laminations are hard to miss, so they can make people remember you and your business.
PATTERN. Many cards use different patterns, such as a ray, a spot UV, an embossed, or a de-bossed design on their business cards. Patterns like these are a great way to make your card unique and stand out.
Your Business Card Problems, Our Solutions
For your business card designs and printing, you can always contact Foote Printing. They have designers and printers to make sure your cards look and feel great in your hands, or even better, in your business prospects' hands.
If election night kept you up late, you were not alone. While you watched returns, our presses were humming. This off-year cycle turned into the best month ever at Foote Printing, and it revealed what local campaigns in Cleveland truly need to win: speed, precision, and partners who understand the stakes.
The Realities Cleveland Campaigns Face
This year, the City of Cleveland reduced wards due to new census data. That shook up council races and put every council seat back on the ballot. The result was a surge in political printing with tight deadlines and last-minute changes.
We are not a massive national shop. We are a local union printer rooted in Cleveland. That’s exactly why off-year elections are our sweet spot. When campaigns need quick turn times, accurate targeting by ward, and materials that reflect local values, we deliver.
What We Printed That Moved the Needle
Campaigns are getting smarter about their marketing mix. While a lot happens online, print still does heavy lifting for persuasion and turnout. Here is what we produced most this season:
Political postcards and mailers: The bulk of our campaign work. Designed for speed, clarity, and fast mailing.
Yard signs: Still essential for name recognition and visibility in key neighborhoods.
T-shirts: Street teams and volunteers need branded gear that pops in photos and on the doorstep.
Union and solar bugs: We print the union bug and a solar printed bug so your materials reflect values many Cleveland vot
If you have ever battled weeds and bamboo pushing through old asphalt, you know the struggle. Our delivery area had turned into a patchwork of cracks and potholes. Then one morning, opportunity literally walked through our front door. A paving crew working down the street had extra asphalt and an open hour. We vetted the plan, said yes, and in about 60 minutes our back lot was transformed.
Why We Chose to Repave Now
Behind our building is a busy delivery and pickup area that keeps your print jobs moving. Over the years the lot had gotten rough. Weeds and bamboo were breaking through, and the surface was not what we expect from a facility that stands for quality. We had already cleared the area and planned a spring repair. Timing and reliability matter to us, and the chance to get it done sooner at a smart price was too good to pass up.
The Story Behind the Upgrade
Here is how it happened, straight from our team:
We cleared the back lot and planned to bring in a pothole repair team in spring.
A representative from ARC Roadway Construction stopped in. They were paving nearby, had extra asphalt, and could mobilize quickly.
We asked the right questions. Scope, layers, timeline, and price. Two layers of asphalt were proposed, which was key for durability.
We phoned a trusted advisor for a gut check. The answer was simple, take the deal, it will save money and time.
The crew arrived, and about an hour later the lot looked phenomenal. Smooth, clean, and ready for work.
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You can design a stunning postcard, but one tiny white sliver along the edge will make it look cheap in an instant. We see it all the time, and it is completely avoidable.
At Foote Printing, the most common error that slows jobs down or triggers reprints is simple, no bleed. When files arrive without bleeds, trimming tolerances can reveal thin white edges or force us to under trim, which pushes type uncomfortably close to the cut. I am Michael Duhr, and my team and I want to help you avoid those headaches with a few practical, print-ready habits.
Bleeds and Safe Zones, The Foundation of Print-Ready Files
If your design prints to the edge, extend background colors, images, and elements past the trim.
Add at least 0.125 inch bleed on all sides
Keep critical content, logos, and type at least 0.25 inch inside the trim, the safe zone
A proper bleed lets us trim cleanly even with slight mechanical variance. A proper safe zone keeps your message from crowding the edge if we must under trim to avoid a white sliver. You can give more bleed if you prefer, even 0.25 inch or more, especially useful for complex layouts.
Send the Right File Format and Resolution
For commercial printing, PDF is your best friend.
Export a print-ready PDF with bleeds turned on
Include crop marks if your workflow supports them
Avoid sending JPG or PNG as your only file, those often come in at 72 dpi and oversized, which prints poorly
If you have to use raster art, ensure it is 300 dpi at final s